Клавишная рабочая станция Korg Nautilus Music Workstation 88 Key

System: KRONOS System Version 3.0
Keyboard
88-key: RH3 (Real Weighted Hammer Action 3), A–C
73-key: Natural Touch Semi Weighted, C–C
61-key: Natural Touch Semi Weighted, C–C
Velocity sensitive is supported, aftertouch is not supported
[Tone Generator]
Synthesis Types: 9
SGX-2 Premium Piano (Acoustic Piano)
EP-1 MDS Electric Piano (Electric Piano)
HD-1 High Definition Synthesizer (PCM)
AL-1 Analog Synthesizer (Analog Modeling)
CX-3 Tonewheel Organ (Tonewheel Organ Modeling)
STR-1 Plucked String (Physical Modeling)
MOD-7 Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX Component Modeling Technology (Analog Modeling)
PolysixEX Component Modeling Technology (CMT Analog Modeling)
Maximum Polyphony *1 *2:
SGX-2: 100 voices *3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices
*1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced. *2: A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine. *3: 100 dual-stereo notes (equivalent to 400 mono voices)
Preset PCM: 496MB / Disk 2.3GB (ROM 1,771 Multi samples, 3,955 Drum samples
Built-in Expansion PCM Libraries:
EXs301: German 2 D Piano
EXs302: Italian F Piano
EXs303: Japanese Upright U Piano
EXs304: Prepared Piano
EXs305: Historical Keyboards
EXs306: Vintage Keyboards 2
EXs307: Strings & Synths
EXs308: Guitar Collection
EXs309: Bass Collection
EXs310: World Essence
EXs311: Background Loops
EXs312: SFX & Hits
EXs313: Found Percussions
EXs314: Expansion Drums
PCM RAM Capacity: Approx. 2GB *4
*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”)
Wave Sequences: 598 user memory, 377 preload, support for stereo multisamples, synchronization of individual notes, and tempo-based settings
[SGX-2 Program]
Premium Piano
Full-key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping
Damper resonance and mechanical noise are reproduced
Una Corda sample support
PCM
EXs301 – German2 D Piano, 12 velocity levels, includes Ambience Piano type/samples
EXs302 – Italian F Piano, 12 velocity levels, no Una Corda samples
EXs303 – Japanese Upright U Piano, 8 velocity levels
Exs304 – Prepared Piano, 1-4 velocity levels
Piano Type: 128 (With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.)
Oscillator Control: Damper Resonance, Damper Noise, Mechanical Noise, Note Release, Modeled String Resonance, Una Corda
[EP-1 Program]
MDS Electric Piano: Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects
Electric Piano Model Types: Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
Oscillator Control: Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
Panel Control:Tine Type - Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive) Reed Type - Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)
Effect Types: Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
[HD-1 Program]
Advanced Vector Synthesis: Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
Structure: Single - only OSC1, Double: OSC1 and OSC2, Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc., Drums - one drum kit, Double Drums: Two drum kits
Oscillators: 8 velocity zones per oscillator, with switching, crossfades and layering, each zone can play mono or stereo Multisamples or Wave Sequences
Filters: Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)
EQ: Three bands with sweepable mid
Driver: Per voice non-linear driver and low boost circuit
Modulation: Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
Quick Layer/Split function
[EXi Program Common]
Advanced Vector Synthesis: Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
Modulation: Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
EQ: Three bands with sweepable mid
[AL-1 Program]
Oscillators: Ultra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
Audio Input: External audio can be processed through the ring modulator, filter, driver, amp, and EQ
Filters: Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
Driver: Per-voice non-linear driver and low boost circuit
Modulation: Five envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer
Quick Layer/Split function
[CX-3 Program]
Tonewheel Organ Modeling: Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
EX Mode: Four additional, user-specified drawbars, and expanded percussion
Internal Effects: Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
Drawbar Control: Controlled via nine front-panel sliders (via Tone Adjust)
Split: Upper, Lower (even in EX mode)
Modulation: Two AMS mixers
[STR-1 Program]
Physically Modeled String: Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups and more (most string parameters can be controlled in real time)
String Excitation: Three independent excitation sources can be used simultaneously: Pluck, Noise and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
PCM Oscillator: KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory
Excitation Filter: Dedicated 2-pole multimode filter for shaping the string excitation; filter can be enabled/disabled separately for each excitation source; Low Pass, High Pass, Band Pass and Band Reject modes
Audio Input and Feedback: Run real-time audio through the string, including feedback through effects; modeled feedback includes modulate-able instrument-to-amp distance and orientation
Filters: Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output) and 24dB (4-pole) configurations; Low Pass, High Pass, Band Pass and Band Reject modes
Multi Filter Mode (Filter A only): Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
Modulation: 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers
[MOD-7 Program]
Waveshaping VPM Synthesizer: Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files
Oscillators
6 VPM/Waveshaper/Ring Modulation Oscillators: Phase and modulatable pitch per oscillator; 101 Waveshaper tables, plus modulatable Drive and Offset; use as oscillators, or as Waveshapers or Ring Modulators for other signals
PCM Oscillator: KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator; uses any mono Multisamples, including ROM, EXs, User Sample Bank or Sampling Mode; supports Virtual Memory
Audio input: Run real-time audio through the VPM Oscillators and filters
Filters: Dual multi-mode filters per voice; (Low Pass, High Pass, Band Pass, and Band Reject modes), two types of filter looping (Parallel and 24 dB “4-Pole”)
Multi Filter mode (Filter A only): Modulatable mix of Low Pass, High Pass, Band Pass and dry input, for creating a wide variety of unique filter types and effects
Patch Panel: Supports both preset algorithm (78 types) selection and free patching; three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion; main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
Modulation: 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers, plus 4 simple AMS Mixers
[MS-20EX Program]
Oscillators: Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
Audio Input: Run real-time audio through the synthesis engine and ESP (External Signal Processor)
Filters: 12dB/octave High Pass and Low Pass self-resonant filters
ESP section: 24dB/octave Low Cut and High Cut filters, available per voice
Patch Panel: Patchable audio and modulation, at audio rates
Patch Points
Keyboard: Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
VCO: VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
VCF: External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
VCO+VCF: Total External Modulation In
VCA: External Initial Gain Control In, VCA In
EG: EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
MG: Triangle Out, Rectangle Out
Noise Generator: Pink Noise Out, White Noise Out
Sample and Hold:Clock Trigger In, Sample Signal In, S/H Out
Modulation VCA: Control Voltage In, Signal In, Signal Out
Manual Controller: Control Wheel Out, Momentary Switch
ESP: Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
Others: EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
ESP (External Signal Processor): Use incoming audio as a trigger and/or CV source.
Modulation: Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2,Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers
[PolysixEX Program]
Oscillators
VCO: Saw, Pulse, PWM
Sub Oscillator: Off, 1 octave below, 2 octaves below
Filter: 24dB(4-Pole) Octave Low Pass self-resonant filter
Effects: Integrated Polysix Chorus, Phaser and Ensemble
Arpeggiator: Integrated MIDI-synced arpeggiator, with adjustable Range, Mode and Latch
Modulation: Polysix - original ADSR EG and MG (with MIDI sync), NAUTILUS - 2 additional multi-stage Envelopes, 2 additional per-voice LFOs and 4 AMS Mixers
[Combination]
Number of Timbres, Master Keyboard Functionality: 16 Maximum
Keyboard and velocity splits, layers and crossfades of up to 16 Programs and/or external MIDI devices
The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
Advanced Vector Synthesis: Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
Quick Layer/Split function
[Drumkit]
System: Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
[Number of Programs/Combinations/Drum kits]:
2,560 user memory programs (1,920 [1,280 HD-1+640 EXi] come preloaded)
1,792 user memory combinations (256 come preloaded)
264 user memory drum kits (104 come preloaded)
256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
[Set List]
Number of Set Lists/Slots:
128 set lists, 128 slots per set list
Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted; Transpose setting; hold Time setting of Smooth Sound Transition (SST) supported for each slot
[Sampling]
System: Open Sampling System (resampling, In-Track sampling)
Bit Depth/Sampling Frequency: RAM - 16-bit/48kHz stereo/mono sampling, DISK - 16- or 24-bit/48kHz
Sampling Time: RAM - depends on the amount of available PCM RAM, DISK - maximum 80 min. stereo (879MB: 16-bit)
Sample Locations: 16,000 samples/4,000 multisamples (128 indexes per multisample)
Formats: KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF and WAVE formats
Editing: Time Stretch, Time Slice, Crossfade Loop and other standard editing features
[Effects]
Insert Effects: 12, stereo in/stereo out
Master Effects: 2 stereo in/stereo out
Total Effects:2 stereo in/stereo out
Timbre EQ: One 3-band EQ for each timbre/track
Effect Types:197
Modulation: Dynamic Modulation and Common LFO
Effects Control Busses: Stereo side-chaining for compressors, gates, vocoders, etc.
Effect Presets: Total 783 preset, Maximum 32 per 1 effect (Preset User)
[Arpeggiator]
Arpeggiator Modules:One module in Program mode, two modules in Combination and Sequencer modes
Arpeggio Pattern: 5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots
Controllers: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
[Drum Track]
Drum Track Patterns:
1,272 preset (common with the preset patterns of the MIDI sequencer)
1,000 user patterns
Patterns created in Sequencer mode can be converted to drum track user patterns
Trigger Mode/Sync/Zone/Swing, Drum SD, Tempo settings can be specified
[Sequencer/HDR]
Tracks: 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track
Number of Songs: 200
Resolution: 1/480
Tempo: 40.00–300.00 (1/100 BPM resolution)
Maximum Memory: 400,000 MIDI events or 300,000 audio events
MIDI Tracks: 16 tracks plus the master track, 697 preset/100 user patterns (per song), 18 preset/16 user template songs
Format: KORG (NAUTILUS, KRONOS, OASYS) format, SMF formats 0 and 1
Audio Tracks:16-track playback, 4-track simultaneous recording, WAV file format 16-bit/24-bit
Maximum Single-file Recording Time (mono): 80 minutes
Automation: Volume, Pan, EQ, and Send1/2; 10,000 regions (max.), Event Anchors, BPM Adjust
RPPR (Realtime Pattern Play and Record): 1 Pattern set per song
Auto Song Setup function
[General]
Disk Mode: Load, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1
Controllers: Joystick, Switches 1 & 2
Arpeggiator Control: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
DRUM TRACK
On/Off, Swing, Drum SD, Tempo
Display: TouchView graphical user interface, 7" color TFT, WVGA (800 x 480 dots), adjustable brightness
Principal Specifications
Frequency Response: 20Hz-22kHz, +/-1.0dB, 10 kohm load
THD+N:20Hz-22kHz, 0.01%, 10 kohm load (typical)
S/N: 95dB (typical)
Dynamic Range: 95dB (typical)
Crosstalk: 95dB, at 1kHz (typical)
Outputs
L/MONO, R, Individual 1-4:
1/4” TRS Balanced
Output Impedance: 350 ohm Stereo; 175 ohm Mono (L/MONO Only),
Nominal Level: +4.0 dBu,
Maximum Level: +16.0 dBu (when load impedance is 600 ohm or greater)
MAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L/MONO and R
Headphones
1/4” stereo phone jack
Output impedance: 33 ohm
Maximum Level: 60+60 mW (when load impedance is 33 ohm),
MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))
USB-B: 24-bit, Sample Rate: 48kHz, 2 channels (digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
Inputs
Audio Inputs 1 and 2:
1/4” TRS Balanced
Input Impedance: 10 kohm
Nominal Level: LINE +4 dBu
Maximum Level: LINE +16 dBu
Nominal Level: MIC –22 dBu
Maximum Level: MIC -10 dBu
Source Impedance: 600 ohm
USB-B: 24-bit, Sample Rate: 48kHz, 2 channels
Control Inputs: Damper pedal (half damper supported), assignable switch, assignable pedal
MIDI: In, Out, Thru
USB: USB A (TYPE A) : For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage), USB B (TYPE B) : MIDI/audio interface, MIDI: 1 (16 channel) input / 1 (16 channel) output, Audio: 2 channel input / 2 channel output *2 USB high-speed ports (supports 480Mbps)
Disk Drives: 60GB SSD (2.5”)
Power Supply: AC power supply terminal, Power switch
Dimensions: (WxDxH):
88-key: 1,437 x 387 x 139 mm / 56.57” x 15.24” x 5.47”
73-key: 1,227 x 386 x 116 mm / 48.31” x 15.20” x 4.57”
61-key: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”
Weight: 88-key: 50.93 lb., 73-key: 32.19 lb., 61-key: 28.66 lb.
Power Consumption: 40W
Accessories: AC cord, Quick Start Guide